Thoughts on Typography & Layout - Printed Publication

A collection of essays designed and typeset for a printed publication exploring female voices through typography and layout.

Role

Print Layout Designer

Tools

Adobe InDesign

Date

May 2025

a cell phone on a table

Thoughts of Typography and Layout was an exploration of typography essays by Beatrice Warde, Katherine McCoy, Ellen Lupton, and Madeleine Morley resulting in a fully-designed and typeset printed publication. McCoy’s essay ‘The Women Readdressing the Gender Imbalance in Typography’ spoke to me particularly as a queer, female designer coming into an industry that has historically stifled queer and female voices. Women make up over half of the design industry but there are still so few at the top. Inspired by McCoy, I wanted to subvert the idea that female design needed to be masculine to be taken seriously. Throughout my publication, pink, a historically feminine semiote, is used to emphasise key quotes and themes of the selected female-written essays, drawing attention to female work and ideas. Additionally, Inclusive Sans, designed by Olivia King, a sans serif created with accessibility in mind, ties all the essays together, allowing it to be read by readers who are hard of seeing or neurodiverse.

Lupton, Ellen. 2003. “The Science of Typography”, Print 57 (5): 22–185.

Morley, Madeleine. 2016 “The Women Redressing the Gender Imbalance in Typography.” Eye on Design, 28 September 2016, https://eyeondesign.aiga.org/the-women-readdressing- the-gender-imbalance-in-typography/.

McCoy, Katherine and David Frej. 1988. “Typography as Discourse”, ID Magazine 35 (5): 34– 37.

Warde, Beatrice. 1956. “The Crystal Goblet, or Why Typography Should be Invisible”, The Crystal Goblet, Sixteen Essays on Typography. Cleveland: World Publishing.

Lupton, Ellen. 2003. “The Science of Typography”, Print 57 (5): 22–185.

Morley, Madeleine. 2016 “The Women Redressing the Gender Imbalance in Typography.” Eye on Design, 28 September 2016, https://eyeondesign.aiga.org/the-women-readdressing- the-gender-imbalance-in-typography/.

McCoy, Katherine and David Frej. 1988. “Typography as Discourse”, ID Magazine 35 (5): 34– 37.

Warde, Beatrice. 1956. “The Crystal Goblet, or Why Typography Should be Invisible”, The Crystal Goblet, Sixteen Essays on Typography. Cleveland: World Publishing.

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Want to connect?

I'm keen to talk projects, collaborations, or anything design!

Want to connect?

I'm keen to talk projects, collaborations, or anything design!

Want to connect?

I'm keen to talk projects, collaborations, or anything design!

I acknowledge the Yuggera and Turrbal people as the Traditional Custodians of Magandjin, the lands on which I create, connect, and learn. I pay my respects to Elders past, present, and emerging, and recognise them as the first storytellers and artists of this land. I acknowledge that sovereignty was never ceded.

I acknowledge the Yuggera and Turrbal people as the Traditional Custodians of Magandjin, the lands on which I create, connect, and learn. I pay my respects to Elders past, present, and emerging, and recognise them as the first storytellers and artists of this land. I acknowledge that sovereignty was never ceded.

I acknowledge the Yuggera and Turrbal people as the Traditional Custodians of Magandjin, the lands on which I create, connect, and learn. I pay my respects to Elders past, present, and emerging, and recognise them as the first storytellers and artists of this land. I acknowledge that sovereignty was never ceded.